Letters from Home / Senior Collection
{Spring 2017}
Words have the power to change us, mold us, break us, and renew us. Often we become the words that people say because we see ourselves through them. Through letters, passed down and personal, l have saved the words that left an impression on my life. Whether it is my mother’s signature, my grandmother’s recipes, or newspaper clippings saved by my great-grandmother, each person has given me a piece of themselves – through their time, their words, and their ability to read between the lines of life. Much like a letter, a piece of home and timelessness cannot be replaced.
To learn more please visit: http://ftdemergingdesigners.com/
{Spring 2017}
Words have the power to change us, mold us, break us, and renew us. Often we become the words that people say because we see ourselves through them. Through letters, passed down and personal, l have saved the words that left an impression on my life. Whether it is my mother’s signature, my grandmother’s recipes, or newspaper clippings saved by my great-grandmother, each person has given me a piece of themselves – through their time, their words, and their ability to read between the lines of life. Much like a letter, a piece of home and timelessness cannot be replaced.
To learn more please visit: http://ftdemergingdesigners.com/
FTD 419
{Fall 2016}
Through the use of donated Cordura fabric, which included NYCO Canvas and Laminated Material, two transitional menswear separates were created to combat the Venturi Effect. Waterproof features were added to all pockets, as well as, the bottom of each pant leg. Additionally, enhanced ventilation was achieved through the use of various zippers placed on the side seams of the pants, coat, and jacket sleeves.
{Fall 2016}
Through the use of donated Cordura fabric, which included NYCO Canvas and Laminated Material, two transitional menswear separates were created to combat the Venturi Effect. Waterproof features were added to all pockets, as well as, the bottom of each pant leg. Additionally, enhanced ventilation was achieved through the use of various zippers placed on the side seams of the pants, coat, and jacket sleeves.
2015 Showtime Runway Fashion Show
{Island Beach Party - June 2015}
Collaborating with Anna Argentine, a collection of five looks were created using Sunbrella fabric, donated by Glen Raven, for the ITMA fashion show in High Point, NC. Inspired by 50's resort wear, playful crop tops were paired with flirty bottoms and matching sets were accessorized with head scarves. Additional styling of a handmade umbrella, martini glasses, whimsical shades, and shell jewelry were added to complete each look.
Photographs courtesy of Michael Blevins Photography
{Island Beach Party - June 2015}
Collaborating with Anna Argentine, a collection of five looks were created using Sunbrella fabric, donated by Glen Raven, for the ITMA fashion show in High Point, NC. Inspired by 50's resort wear, playful crop tops were paired with flirty bottoms and matching sets were accessorized with head scarves. Additional styling of a handmade umbrella, martini glasses, whimsical shades, and shell jewelry were added to complete each look.
Photographs courtesy of Michael Blevins Photography
The Hen Collection - Jeans
{FTD 216 - Spring 2015}
The back pocket design represents my personal brand, The Hen Collection, by showcasing the recognizable feature of my logo, the hen. With such a prominent figure, a subtle peach thread color was chosen. Additionally, lace was added on the back pockets and the front waistband to modernize, yet keep with the positioning of my southern, vintage, brand. For camouflaging purposes, a high-waisted silhouette in a dark wash with subtle distressing was chosen. Also, a button-fly, as well as a zipper were both incorporated as a disguising mechanism to flatter a woman’s stomach.
This product is made of 100% cotton, bought from a fabric outlet in Fancy Gap, Virginia.
{FTD 216 - Spring 2015}
The back pocket design represents my personal brand, The Hen Collection, by showcasing the recognizable feature of my logo, the hen. With such a prominent figure, a subtle peach thread color was chosen. Additionally, lace was added on the back pockets and the front waistband to modernize, yet keep with the positioning of my southern, vintage, brand. For camouflaging purposes, a high-waisted silhouette in a dark wash with subtle distressing was chosen. Also, a button-fly, as well as a zipper were both incorporated as a disguising mechanism to flatter a woman’s stomach.
This product is made of 100% cotton, bought from a fabric outlet in Fancy Gap, Virginia.
Hunar Revolution Fashion Show
{People's Choice Award Winner}
Sophomore fashion and textile design students at NC State University collaborated with Hunar Revolution, an organization providing education and hope to impoverished women in Jaipur, India, to inform, inspire, and empower. Through this social-awareness project, students learned about Hunar's mission to promote responsible labor practices and their environmentally-consciousness business practices. Then, they were challenged to repurpose donated, traditional saris into modern, fashionable clothing. This endeavor culminated in a fashion show on December 5, 2014 showcasing the class’s designs. A reception followed the event where handmade items could be bought directly benefiting the Hunar organization.
{People's Choice Award Winner}
Sophomore fashion and textile design students at NC State University collaborated with Hunar Revolution, an organization providing education and hope to impoverished women in Jaipur, India, to inform, inspire, and empower. Through this social-awareness project, students learned about Hunar's mission to promote responsible labor practices and their environmentally-consciousness business practices. Then, they were challenged to repurpose donated, traditional saris into modern, fashionable clothing. This endeavor culminated in a fashion show on December 5, 2014 showcasing the class’s designs. A reception followed the event where handmade items could be bought directly benefiting the Hunar organization.
Charlotte Seen Recyclable Fashion Show
{Fall 2014}
This look was driven by a neutral color palette and materials discovered when visiting the Scrap Exchange in Raleigh, NC. The top and skirt were made out of carpet insulation material, while the back detail was a deconstructed lampshape. Triangular accents were cut out of material used for playground flooring. The necklace was also created to utilize wooden thread spools and pull in a pop of orange.
{Fall 2014}
This look was driven by a neutral color palette and materials discovered when visiting the Scrap Exchange in Raleigh, NC. The top and skirt were made out of carpet insulation material, while the back detail was a deconstructed lampshape. Triangular accents were cut out of material used for playground flooring. The necklace was also created to utilize wooden thread spools and pull in a pop of orange.
Mod {Wo}men
{a progression of 1960's style}
Outfits featured in the 2014 AATS Fashion Show - Raleigh, NC
This collection is based on the three prominent styles of the 60’s. At the beginning of the era, women echoed Jackie Kennedy’s Timeless Chic style. Her effortless dresses and matching suits attempted to Americanize Paris couture with bright pastel colors. Moving into the mid-1960’s, Mary Quant’s shift dress brought a counter-cultural change to women’s fashion, introducing the Modernist look. This new silhouette often featured bright colors juxtaposed with a neutral color. Transferring into the late 60’s, hemlines were raised with hot pants and bell bottoms. This hippie clothing mimicked the Woodstock atmosphere and the Free Spirit persona.
The three prominent styles of the 60’s changed the way women dressed, acted, and were treated. Not only did they progress in fashion, but also in personality from submissive to daring and feministic.
{a progression of 1960's style}
Outfits featured in the 2014 AATS Fashion Show - Raleigh, NC
This collection is based on the three prominent styles of the 60’s. At the beginning of the era, women echoed Jackie Kennedy’s Timeless Chic style. Her effortless dresses and matching suits attempted to Americanize Paris couture with bright pastel colors. Moving into the mid-1960’s, Mary Quant’s shift dress brought a counter-cultural change to women’s fashion, introducing the Modernist look. This new silhouette often featured bright colors juxtaposed with a neutral color. Transferring into the late 60’s, hemlines were raised with hot pants and bell bottoms. This hippie clothing mimicked the Woodstock atmosphere and the Free Spirit persona.
The three prominent styles of the 60’s changed the way women dressed, acted, and were treated. Not only did they progress in fashion, but also in personality from submissive to daring and feministic.
Vaulted Visions
{FTD 105 - Spring 2014}
Inspired by David Stephenson's photograph of St. Anne's Cathedral, an overcoat and strapless dress ensemble were created. Airy chiffons were paired with a tan suede to create dimension and movement. Additionally, a belt featuring handpainted-recycled jewels and triangles made from the beaded chiffon, was made to reiterate the line detail in the photograph. Lastly, the statement necklace was created using floral wire.
{FTD 105 - Spring 2014}
Inspired by David Stephenson's photograph of St. Anne's Cathedral, an overcoat and strapless dress ensemble were created. Airy chiffons were paired with a tan suede to create dimension and movement. Additionally, a belt featuring handpainted-recycled jewels and triangles made from the beaded chiffon, was made to reiterate the line detail in the photograph. Lastly, the statement necklace was created using floral wire.
Kinesthetic Connections
{FTD 105 - Spring 2014}
Inspired by the determination of a family friend, a collection of three tights were made to enable children with disabilities in learning their shapes, colors, right from left leg, and ballet positions. Focusing on down syndrome and children's learning habits, bright colors were chosen and playful prints were used to create comfortable and aesthetically pleasing designs. Additionally, due to the versatility of the tights, not only would children with disabilities be able to use these, but any child interested in dance.
{FTD 105 - Spring 2014}
Inspired by the determination of a family friend, a collection of three tights were made to enable children with disabilities in learning their shapes, colors, right from left leg, and ballet positions. Focusing on down syndrome and children's learning habits, bright colors were chosen and playful prints were used to create comfortable and aesthetically pleasing designs. Additionally, due to the versatility of the tights, not only would children with disabilities be able to use these, but any child interested in dance.
Queen Bee
{FTD 104 - Fall 2013}
Given the challenge of creating a project based on form, this look was created to symbolize the multifaceted honeycomb system. The overcoat has five layers, made from fabrics including a polyester knit, blended knit, stretch denim, taffeta, and woven herringbone. The garment is tied together with a tiered mandarin collar, Chinese knot, and black beads. Underneath, a fitted dress with handmade hexagonal pattern peeks through to reiterate the honeycomb inspiration.
{FTD 104 - Fall 2013}
Given the challenge of creating a project based on form, this look was created to symbolize the multifaceted honeycomb system. The overcoat has five layers, made from fabrics including a polyester knit, blended knit, stretch denim, taffeta, and woven herringbone. The garment is tied together with a tiered mandarin collar, Chinese knot, and black beads. Underneath, a fitted dress with handmade hexagonal pattern peeks through to reiterate the honeycomb inspiration.